Thanks to Craig McKenzie for pointing out this great landscape resource, ‘On Landscape’.
Website (Some free articles at the subscription based online magazine)
This resource from Northrup’s website has tutorials on many modern cameras, covering the basics through to more advanced features. So if you can’t find a feature on a camera you’ve owned for a few years or you’ve just bought a new camera, have a look and see if there is a tutorial for you.
Find the tutorial library here
The nifty thing about each tutorial is that there is a Table of Contents, enabling you to find the feature you’re after and to fast forward.
Click on the SHOW MORE link to open the Table of Contents
Well are you?
Have a look at this video from a YouTuber with his own style of presenting. Don’t be put off by his fridge, he has some good advice on how to hold your camera to get the sharpest possible shot.
Click here for the video.
Sunday 12th of August: DPS field trip to Catlins
Monday 13th of August: Club Meeting
Speaker: Jenny Longstaff artists and DPS member
Print of the Month theme: ‘Open’ Selector Kate Burton
Tuesday 21st of August: Midweek Photo Group
Monday 27th of August: Club Meeting
Justin Spiers the Resident Artist at Caselberg House
Projected Image of the Month theme: ‘Shadows’ Selector Kate Burton
This month’s photographer profile brings you images from another world, in more than one way.
|Photography Awards/Honours||Lake Wanaka Postage Stamp 2009; 2017 Harry Williams Astrophotography Competition – highly commended; Otago Wildlife Competition – 3 highly commended over the years|
|Current Camera||Canon 5D4, Sony A7R2 and QSI683 (astro)|
|Favourite Camera you have ever used/had||I was most excited about my first digital, the Canon 1D Mrk2.
Canon A1 back in the film days.
|Which do you prefer?||Digital|
|And why?||I prefer digital. The sensitivity of the monochrome astro cameras have really opened up astrophotography in recent years. Something that the professionals back in the film days could only dream about.
With other types of photography the instant feed back loop is important. You can check exposure, focus and composition immediately. Especially important on a paid job and for the learning experience. And of course the ability to change ISO on the fly, something we now take for granted.
|Which medium do you prefer?|
|And why?||I enjoy making the print. There is something about holding your own creation in your hand. And of course we have the choice of so many different papers now.
I make my own prints and print profiles. I enjoy the printing process from soft proofing to print. I’m a strong believer in profiling your work flow from monitor to print.
|How did you get into photography and when?||My mother was interested in photography and owned a Kodak Retinette which she bought back in the 50s.
My first adventure with a camera was at school when we went to Mt Aspring National Park for a week. I took mum’s camera set at sunny f16. The film wasn’t loaded correctly and wouldn’t advance as it should which mum discovered when I arrived back home from the trip.
However this didn’t stop me sneaking out of camp, and climbing up a nearby waterfall to get what I thought would be “the shot”.
|What keeps you inspired with your photography?||Recently I have restarted my passion for astrophotography which started back in the 80s with film and a 20cm reflector telescope.
I have been enjoying commissioning a telescope system, and associated equipment for narrow band deep sky imaging in my observatory.
The cooled monochrome QSI683 camera runs at -20C to reduce the noise from the cameras electronics during the long exposures. Data for a single image is collected over many nights, sometimes weeks (depending on the Dunedin weather). The data, consisting of many 10 minute exposures from many different filters, which are finally stacked and averaged to increase detail or “signal” as it is known in astrophotography.
Of course there are challenges. The telescope is the equivalent of a 1200mm lens and the sky is moving. We need to track the moving target for a total of perhaps 10 hrs with near single pixel accuracy. Any poor data that doesn’t make the grade is thrown away.
Several narrow band filters are used to collect data from different ionised gases when we image gaseous nebula . eg oxygen, hydrogen and sulfur. All other wavelengths are filtered out.
I tend to use what’s known as the Hubble palette which was made famous by the Hubble Space Telescope to render the image. Kind of part science and part art. In the red channel we put the sulfur data, blue channel for oxygen, and green for hydrogen.
I have attached an image of the “Statue of Liberty” nebula taken earlier this year using the process.
|Do you have a particular theme that would summarise your photographs?||My photography is always evolving and changing therefore it would be different to nail down and describe a particular theme.|
|Where is the best place that you have been to take photos?||Recently I traveled to Africa on a photographic wildlife adventure. Camping in the Okavango Delta of Botswana was an amazing opportunity for wildlife, and just a great life experience, even when the Hyenas ate my soap on the washbowl outside my tent.
Then we headed over the border to Namibia, which is renowned for its desert landscapes and wildlife.
I enjoy street photography. Istanbul is an exciting colourful place with plenty always happening on the streets.
|What piece of equipment could you not do without in your camera bag?||When out with my camera bag there is always a Zeiss manual focus lens, or two, thrown in before I leave the house.
Sometimes trying to keeping things simple can be rather pleasurable, especially when using some of the modern camera’s cluttered interfaces. Also I’m rather partial to the way some of the Zeiss lenses draw.
|Do you have any favourite photography related websites or web resources that you’d like to share with us ? (this includes your own)||The Luminous Landscape website has always interested me rather than some of the pure technical gear sites. The interviews and videos of well known photographers can offer good learning opportunities.
I have my own site www.magiclight.co.nz which is essentially a display site of some of my images.
Mark Glaler, Adobe Ambassador and Photoshop Guru has put together a tutorial on an effect he calls Multiplicity.
You can find the tutorial here
The trick is to find the correct image to try the effect on, just as Nicola has on the image below. Thanks also to Nicola for suggesting the tutorial as a blog post.
The Nikon/NZIPP Iris Professional Photography Awards 2018 were judged a few weekends ago in Wellington. The judging of each category has been recorded and uploaded to YouTube at the link below. This is a fantastic opportunity to learn from professional work and judging. All categories require a physical print submission, there are no projected image categories.
Congratulations to DPS member Simone Jackson who was a finalist in the Nature category and received awards in others sections, including the image above from the Documentary category.
Note: The judging may not start until some time into the recording so fast forward to find the beginning.
Print Scoring Table:
|95 – 100||Gold with Distinction||3||● Exceptional vision, creativity & innovation
● Exceptional visual communication & interpretation of
● High level of originality of thought/concept
● Invokes a superior emotional response
● Has an enduring quality
● Exceptional mastery in all areas of creative &
|90 – 94||Gold||3||● Outstanding level of imagination & creativity
● Outstanding visual communication, interpretation of
subject &/or emotion
● Originality of thought/concept
● Outstanding mastery across all areas of technique, craft,
production & print quality
|85 – 89||Silver with Distinction||2||● Excellent level of imagination & creativity
● Excellent visual communication, interpretation of subject
● Excellent level of technique, craft, production &
|80 – 84||Silver||2||● High level of imagination &/or creativity
● High level of visual communication, interpretation of
subject &/or emotion
● Very high level of craft, skill and technique
|70 – 79||Bronze||1||● Very high standard of professional practice, craft, skill &
● Exceeds the normal level expected of professional
|60 – 69||Professional Standard||0||● Approaching award level
● Well executed, appropriate professional level of craft
● Good standard of professional practice – what a
professional is expected to produce day to day
|50 – 59||Below Professional
|0||● Does not yet exhibit the standards required of
● May show proficiency in some areas
Links below to a BBC documentary you should find interesting. The content is from Youtube so may be removed at some point in the future. If you search for ‘Eamonn McCabe’ it should be hosted somewhere else on YouTube.
‘…Eamonn McCabe celebrates Britain’s greatest photographers, sees how science allowed their art to develop, and explores how they have captured our changing lives and country.’
Episode 3 (footage starts at 30 seconds)
Adam Binns is a photographer based in Dunedin, he specialises in sport, music, event and general commercial imaging and is the first photographer to feature in the blog’s ‘Photographer Profile’ segment.
|Current Camera||EOS 1 DX Mk II and EOS 5D Mk III|
|Favourite Camera you have ever used/had||My EOS 1 DX Mk II is the best camera I’ve ever had, but I’ve got a soft spot for the Chinon CE-4 I had back in the 80s|
|Which do you prefer?||Either – no preference|
|And why?||I love film and still shoot it sometimes. I always said I wouldn’t go digital until the prints from it were as good as from film. We’re a long way past that now. Being a sports photographer who files live to the picture agencies, digital is just great. So I like them both equally now.|
|Which medium do you prefer?|
|And why?||There’s something special about seeing a great image in physical existence. Particularly when it’s well mounted and framed.|
|How did you get into photography and when?||When I was 12 I pestered and pestered my parents into buying me an SLR. My first camera was a Praktica Super TL 1000. I absolutely loved it and it taught me the nuts and bolts of manual photography. I helped form a photography club at school, and we were lucky enough to have a darkroom set up for us so I got to learn how to develop and print as well. So I’ve been a photographer for 35 years now.|
|What keeps you inspired with your photography?||I like to think that I see the world rectangularly. I see pictures everywhere, so for me it’s about transferring what I see into an image for other people to see.|
|Do you have a particular theme that would summarise your photographs?||I prefer for my photography to be what you see is what you get – ie no (or little) manipulation. My images are tend to be a record of real life, but I do still sometimes get arty. I’m not one for photoshopping and changing reality too much though.|
|Where is the best place that you have been to take photos?||Baker Beach, San Francisco, California. The best image I ever took was of Golden Gate Bridge in black and white, and it was superbly hand printed by a lab in Leicester in the UK.|
|What piece of equipment could you not do without in your camera bag?||My monopod. Running a 400 f2.8 I couldn’t work without it. I was flying up to Christchurch once to photograph a Crusaders rugby game and I’d got a nagging feeling sitting on the aeroplane that I was forgetting something. Just as the captain put full throttle on I remembered. It was my monopod. I had to go to Photo Warehouse when I got to Christchurch to buy another one. I now have two monopods.|
|Do you have any advice for your fellow photographers?||Take advice from people who know what they are on about. Don’t get upset at constructive advice. Use it to improve. But always keep your own style. Don’t copy others.|
|Do you have any favourite photography related websites or web resources that you’d like to share with us ? (this includes your own)||adambinns.com
snpa.co.nz (one of the agencies I work for)