This resource from Northrup’s website has tutorials on many modern cameras, covering the basics through to more advanced features. So if you can’t find a feature on a camera you’ve owned for a few years or you’ve just bought a new camera, have a look and see if there is a tutorial for you.
Find the tutorial library here
The nifty thing about each tutorial is that there is a Table of Contents, enabling you to find the feature you’re after and to fast forward.
Click on the SHOW MORE link to open the Table of Contents
In this 3 part special feature Dunedin Photographic Society member Jenny Longstaff shares how she goes about creating her fascinating artworks that start as simple photos. [PART 1] [PART 2]
Here is another design, utilising just one photo (a maple tree in Dunedin Botanic Garden) copied and modified with various Photoshop effects. The photos were then positioned and arranged in InDesign to a large file size as the final design was printed onto a PVC “banner” for display in the Botanic Garden.
Photoshop effects included manipulating colour balance and channel mixers, inverting colours, and using “twirl” in the “distort” filter menu.
The design is called “Variations for Vivaldi”, aiming to achieve a feeling of The Four Seasons and musical rhythms (the 5 wriggly lines at the bottom of the banner).
In this 3 part special feature Dunedin Photographic Society member Jenny Longstaff shares how she goes about creating her fascinating artworks that start as simple photos. [PART 1]
Here is another design, called “Maritime Networks”, created from 4 separate photos of fishing net details (location: Taieri Mouth) arranged into patterns, with a photo of fishing boats (location: Moeraki).
I chose 4 fishing net photos, paying attention to the colours and angles of the rope strands, then in Photoshop I modified the proportions so they were each equal-sized squares. The photos were then placed on a blank page in InDesign program, repeated and mirror-imaged as necessary, achieving a kaleidoscope effect – my version of “knitting” the designs into fishermen’s jerseys (or guernseys, or Arran-Isle patterns) As an aside: did you know that, in the past, each fisherman’s hand-knitted woollen jumper was unique, so he could be identified if he drowned?
You will notice that the top woven band includes vertical fish-shapes. The top circle represents the Moon; the bottom circle is the Earth, and the large dotted circle represents the connection with the Moon influencing the tides. It also represents maritime navigation with the stars or lights.
In this 3 part special feature Dunedin Photographic Society member Jenny Longstaff shares how she goes about creating her fascinating artworks that start as simple photos.
The first 2 images are repeat patterns:
- a kereru native NZ pigeon – photographed on my back yard clothesline
- an Australian rainbow lorikeet – photographed when I was hand-feeding it at Broulee on NSW south coast.
I removed the backgrounds (in Photoshop) so the shapes of the birds were clearly defined. Through my past working life as a book designer, I am familiar with the InDesign program, so I use that to position my photos on a blank page (dimensions to my own choice), then arrange copies of the photo to create the repeat patterns. Using commands such as copy and paste, mirror image, and flip vertically or horizontally, or changing the angle of placement, brings in as much variety as I need.
For the kereru design my main preoccupation was to create an ambiguous design of positive and negative areas that would not be immediately recognisable. In fact, some people never see the birds until they are pointed out to them!
For the lorikeet parrot designs I was playing with the vibrant colour arrangements. The images were included in an exhibition I held during the International Science Festival, which I called “Pigments of Imagination”, aimed at children. It was about colour theory and mixing, so the bird’s plumage was a good example of primary and secondary colours. I arranged them to enhance the feeling of rhythm and energy, and colour vibrations. A drop-shadow effect was added to the larger single bird to make it more 3-dimensional.
We always try to have at least one photowalk or field trip each month and when we get back we like to share a selection of photos taken on the trip – to entice other members to join us on the next trip! Here are the slideshows from some recent trips (and a workshop).
Vogel Street Party photowalk: 8/10/16
Light Workshop, starting at Queens Gardens: 31/10/16
Overnight field trip to Quarantine Island/Kamau Taurua: 12-13/11/16 http://quarantineisland.org.nz/
The Dunedin Photographic Society runs three kinds of competition throughout the year.
Print & Projected Image of the Month (Monthly Competitions)– These are an opportunity to submit work for critique. The critique is intended to be constructive and give you suggestions on how to improve and grow as a photographer. It’s amazing how often someone may point out something such as a distracting patch of light that you hadn’t noticed…. now it’s obvious and all you can see!
The varying themes encourage members to try something different and are open to interpretation, ‘open’ means you can submit anything you like. Any degree of processing will be considered. The only subjects which tend to be stricter are Natural History and Photojournalism. These should accurately represent the subject/event.
This is a good place to start showing your work. All images will be commented on. Points are awarded to everyone who submits an image and extra points are awarded for the top three images on the night. Points standings can be found here: Standings.
Successful images from this competition should be considered for the seasonal exhibitions.
Seasonal Exhibitions (Seasonal Exhibitions)– The club runs four seasonal exhibitions Spring and Autumn Print, and Winter and Summer Projected Image. You can enter up to 6 images in each of the the Open and Natural History sections (note: the seasons are just to indicate the time of the year the exhibition is held – it is not a restriction on the type of image you can enter). The images entered are submitted to accredited judges or ‘experts’ for appraisal. The purpose of these is to produce an exhibition of quality work, and therefore not all images will be accepted. The judges are directed to accept a percentage of the images submitted and will provide comment on only those that have been accepted.
While it can be disappointing not to have images accepted, it is important to realise that judging can be subjective; an image accepted by one judge may have been rejected by another.
Successful images from the seasonal exhibitions should be considered for the Festival.
Dunedin Festival of Photography (Festival)– The Festival is run once a year by the Society and is open to any NZ resident or society member to enter. This competition attracts a large number of entrants including those with photographic honours and professional photographers, and as such the standard is high. Acceptance into the festival should be seen as an impressive achievement and a stepping stone to the PSNZ Regional or National exhibitions. These images are not critiqued but are displayed in a local gallery for a week where they can be viewed by the public.
For new members, entering your images for the first time is always the hardest. You do need to have a bit of a thick skin, but positive feedback feels good and shows you a way forward. So don’t be shy, start entering now.